I’ve never really been that into photographing people, I love seeing other people’s work but it’s just not something that’s ever really inspired me personally. Probably a large part of that is the interaction with the model, posing them and making sure they’re comfortable while you get the shot you’re after.
That said, I have a baby daughter on the way, and want to make sure I capture some memories of this time of life as best I can, so have recently been trying to give it a bit of a go.
My wife has a Pinterest page full of maternity and baby photos to give me some inspiration so we’ve been trying to recreate a couple so I can learn how to point my camera at something other than a landscape.
I strongly believe that knowing how to edit your photos to maximise their impact is as important as knowing how to take them well in the first place. It’s not a new thing, having been very common in the film days too, it’s just become more accessible and doesn’t require specialised equipment or advanced skills to get started with.
There will always be debates on how much you should edit, my personal approach currently is not to add anything that wasn’t there, and mostly keep removals to spots/artifacts, so I do 99% of my editing in Lightroom. For this reason I always shoot RAW as it allows much greater scope for adjusting exposure, white balance, etc. and helps reduce the need for some filters like graduated neutral densities.
Macro photography is always seen as a bit of specialist subject, there’s lots of different techniques to get the level of magnification needed, from expensive dedicated lenses like the Canon MP-E 65mm, to reverse lens adapters, extension tubes, bellows… it’s a confusing market and can seem daunting to get started.
There’s also a lot of challenges, finding your subject and getting close enough, shallow depth of field, getting enough light in. No matter what equipment you use you will come across these problems.
For my first blog post I decided to cover a technique I have been using more and more recently, which is using heavy neutral density filters to create long exposure photographs, even in bright daylight conditions.